Bodoni - Wikipedia, the free encyclopedia. Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni (1. The best website for free high-quality Bodoni 72 Small Caps Book fonts, with 30 free Bodoni 72 Small Caps Book fonts for immediate download, and 63 professional.Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville. Bodoni had a long career and his designs changed and varied, ending with a typeface of a slightly condensed underlying structure with flat, unbracketed serifs, extreme contrast between thick and thin strokes, and an overall geometric construction. However, these fonts were not updated versions of Roman or Renaissance letter styles, but new designs. They came to be called 'modern' serif fonts and then, until the mid- 2. Didone designs. This is very common when optical sizes of font intended for use at display sizes are printed at text size, at which point the hairline strokes can recede to being hard to see. Versions of Bodoni that are intended to be used at text size are . Download, view, test-drive, bookmark free fonts. Features more than 13,500 free fonts. We would like to show you a description here but the site won’t allow us. In Europe, they are more often used in body text. Inspiration. Although he drew inspiration from the work of these designers. Bodoni also took care in the composition of his printing, using hierarchy and borders to create an appearance of elegance, and his range of type sizes allowed him flexibility of composition. Writing of meeting him in the year 1. James Edward Smith said: A very great curiosity in its way is the Parma printing- office, carried on under the direction of Mr. Bodoni, who has brought that art to a degree of perfection scarcely known before him. Nothing could exceed his civility in showing us numbers of the beautiful productions of his press.. Parma. The manner in which Mr. Bodoni gives his works their beautiful smoothness, so that no impression of the letters is perceptible on either side, is the only part of his business that he keeps secret. While it can look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the other, much thinner strokes that define which letter is which. This revival is regarded as . Hunter Middleton, 1.
Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. Fonts containing 'bodoni' (most popular first): 1 of 122. Bodoni: Bodoni Sans Display: Sahara Bodoni: Bodoni Classico. Find extremely tall fonts for narrow spaces. HWT Antique Tuscan No. Indic language font links, compiled by Luc Devroye. Damon Type Foundry offered a Bodoni under the name Bartlet. Linotype and Intertype also produced matrices for machine composition that were somewhat narrower than the fondry type versions. Stempel AG, Amsterdam Type Foundry, and Berthold. The Bauer version emphasizes the extreme contrast between hairline and main stroke. The series included the following weights: Bodoni Roman. Bodoni Title. Bodoni Bold. Bodoni Italic. Bodoni Italic Bold. A derivative of their Bodoni family, the design is not directly based on Bodoni's own work but was very popular in advertising. As it had been a standard type for many years, Bodoni was widely available in cold type. Alphatype, Autologic, Berthold, Compugraphic, Dymo, Harris, Mergenthaler, MGD Graphic Systems, and Varityper, Hell AG, Monotype, all sold the face under the name Bodoni, while Graphic Systems Inc. Zuzana Licko's Filosofia is considered by some to be a revival of Bodoni, but it is a highly personal, stylish, and stylized spinoff, rather than a revival. Although intended to be usable at text sizes, it represents the early period of the designer's career when interletter spacing was yet to be conquered, so has found use primarily in advertising. A particularly carefully optically- sized Bodoni is Sumner Stone's ITC version in three sizes (6 point, 1. Another important Bodoni optimized for book printing (9 point) is G. Most other versions are best used at display sizes. In the 2. 1st century, the late manner versions continue to be used in advertising, while the early manner versions are occasionally used for fine book printing.! Anatomy of a Typeface (1st ed.). Graphic design basics. New York: Holt, Rinehart, and Winston, p. Tauris, p. 6. 3.^http: //www. Smith, James Edward (1. A Sketch of a Tour on the Continent, in the Years 1. Retrieved 1. 1 August 2. Typographia, an Historical Sketch of the Origin and Progress of the Art of Printing. Retrieved 1. 2 August 2. Retrieved 2. 1 September 2. Purvis, and Friedrich Friedl. Creative Type: A Sourcebook of Classical and Contemporary Letterforms. Designing information : human factors and common sense in information design. Retrieved 1. 0 August 2. Hoefler & Frere- Jones. Retrieved 1. 0 August 2. Retrieved 3. 0 June 2. Retrieved 2. 1 November 2. Retrieved 2. 1 November 2. Retrieved 1. 0 August 2. Retrieved 6 October 2. Hoefler & Frere- Jones. Retrieved 1. 1 August 2. Retrieved 7 October 2. A typographic workbook. Hoboken, N. J.: Wiley, p. Mosley, James. Retrieved 2. March 2. 01. 6. Bodoni never used the flat- topped letter t (a French innovation) that was added to the ATF typeface. The Encyclopedia of Type Faces. Blandford Press Lts.: 1. ISBN 0- 7. 13. 7- 1. X, p. 2. 5.^Specimen Book of Bauer Types (second edition), Bauer Type Foundry, Inc., New York City, c. A typographic workbook. Hoboken, N. J.: Wiley, p. Typographic Design: Form and Communication. John Wiley & Sons, Inc: 1. ISBN 0- 4. 71- 2. Dodd, Robin. From Gutenberg to Opentype. Hartley & Marks Publishers, Inc.: 2. ISBN 0- 8. 81. 79- 2. Friedl, Friedrich, Nicholas Ott, and Bernard Ott. Typography: an Encyclopedia Survey of Type Design and Techniques Throughout History. Black Dog & Leventhal Publishers, Inc: 1. ISBN 1- 5. 79. 12- 0. Frey, David. 2. 00. Lawson, Alexander S., Anatomy of a Typeface. ISBN 9. 78- 0- 8. Nesbitt, Alexander The History and Technique of Lettering Dover Publications: 1. ISBN 0- 4. 86- 2.
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